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ART ELEMENTS: DEFINITIONS

LINE

A mark that results from energy or movement

CONTOUR LINE

A line that traces the outer edge of a figure or object

ACTUAL LINE

A line that really exists, no matter what material it is made of

IMPLIED LINE

Constellation created by the mind connecting dots or object edges

PSYCHOLOGICAL LINE

The unseen, yet inferred line connecting the gaze of two persons

HATCHING

The crossing of lines to imply texture or shading

SHAPE

Refers to actual or perceived boundaries

GEOMETRIC SHAPE

Tends to have polygon-like characteristics

ORGANIC SHAPE

Tends to remind one of a living organism

AMORPHOUS SHAPE

Tends to have little resemblance to the natural world

FIGURE / GROUND RELATIONSHIP

The concept that foreground and background are and the space between the shapes visually important

FORM

Is a 3-dimensional version of shape

VOLUME

Measures the amount of material that can fit inside a 3D form

MASS

Measures the density of material within a 3D form

VALUE

Is a range of light and dark

LIGHT/SHADOW

Allow the eye to see form

HIGH VALUE CONTRAST

Occurs when light and dark areas near each other are very different

LOW VALUE CONTRAST

Occurs when light and dark areas near each other are similar/subtle

CHIAROSCURO

An artist’s technique to infer 3D form on a 2D surface

COLOR

May be measured in frequency visible to the naked eye

VISIBLE SPECTRUM

Colors that can be seen, which are a part of the electromagnetic spectrum, located between ultraviolet and infrared wavelengths

ADDITIVE COLOR SYSTEM

A system of color made up of light; all colors combined yield white, transparent light

ADDITIVE COLOR PRIMARIES

Red, Green, Blue (RGB)

SUBTRACTIVE COLOR SYSTEM

A system of color made of pigment; all colors combined yield dark, opaque pigment

SUBTRACTIVE COLOR PRIMARIES

Red, Yellow, Blue

HSB

A system for accurately depicting color on electronic screens

HUE

Refers to which color of the rainbow (HSB system)

SATURATION

Refers to how much of the color is present relative to gray­­ (HSB system)

BRIGHTNESS

Refers to how much light is ‘on’ within the color relative to black or no light (HSB system)

SHADE

Is a color to which black has been added

TINT

Is a color to which white has been added

TONE

Is a color to which gray has been added

COMPLEMENTARY COLORS

A set of colors located across from each other on the color wheel

ANALOGOUS COLORS

A set of 2-3 colors located next to each other on the color wheel

PRIMARY COLORS (SUBTRACTIVE SYSTEM)

Red, Yellow and Blue which cannot be mixed from other colors

SECONDARY COLORS (SUBTRACTIVE SYSTEM)

Orange, Green and Violet which are mixed from the primaries

TERTIARY COLORS (SUBTRACTIVE SYSTEM)

Red-orange, Orange-yellow, Yellow-green, Green-blue, Blue-violet, Violet-red, which are colors that can be mixed from either the primary or secondary colors

TEXTURE

Can be a physical or perceived change in the depth of a surface

ACTUAL TEXTURE

An uneven surface that can be felt or measured

IMPLIED OR VISUAL TEXTURE

A surface that is perceived to be uneven but is actually smooth

SUBVERSIVE TEXTURE

A texture whose meaning is changed by the artist’s manipulation

SPACE

The absence of mass; a synonym might be ‘emptiness’

DEPTH, PHYSICAL

3D space such as might be found in a hole, valley or canyon

DEPTH, EMOTIONAL

Meaning found within a creative work that stirs the soul

INNER, OUTER, PSYCHOLOGICAL

Spiritual, physical and mental arenas of space

THIRD DIMENSION

The z-axis (depth), in an x-y-z system (height, width, depth)

OVERLAP

Placing objects in front or behind each other to suggest depth

RELATIVE SIZE

Making similar shapes larger or smaller to suggest distance or depth

LINEAR PERSPECTIVE

A system using 1, 2 or 3 points to organize objects in space

VANISHING POINT

A place on the horizon toward which parallel lines converge when using a system of perspective

ATMOSPHERIC PERSPECTIVE

A system depicting air as mist or fog to suggest distance

TIME

A human construction derived from celestial interactions

FOURTH DIMENSION

A concept suggesting time as a factor in the human experience

STOPPED TIME

Often used in photography to ‘capture’ a moment

CALENDAR

A system dividing a solar year into equal parts

CLOCK TIME

A numerically based system often used in cities and industrial situations

EVENT TIME

A perceived or social system that depends on an occurrence or an action, relative to its start or finish

RELATIVITY

A theory by Einstein that suggests time moves differently in outer space than in gravity

CIRCULAR OR CYCLICAL TIME

A system practiced by indigenous peoples of the Western hemisphere which connects the present as a reflection of the past

MOTION

The perception of change in location of an object or being

ACTUAL MOTION

Motion that can be perceived with the senses or measured by an inanimate mechanism

IMPLIED MOTION

Motion that is suggested or perceived, while the object or scene is actually still and not moving

KINESIS

The scientific term for random motion caused by a stimulus

KINETIC ART

A creative work that uses motion as a primary art element